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Tour a Delightful San Francisco Home That Nods to Family Heritage

Laveta Brigham

Claudy Jongstra for Maharam Drenthe Heath Throw Charlotte Perriand Rio Table Massimo Giacon Mr. Cold Soap Dispenser Le Corbusier Dots Wall Covering Maniscalco designed the house in a modernist language of crisp planes animated by the rich materiality of western red cedar and split-faced limestone on the exterior and, for […]

Maniscalco designed the house in a modernist language of crisp planes animated by the rich materiality of western red cedar and split-faced limestone on the exterior and, for the interior, floors of travertine and walls faced in American walnut. “This isn’t look-at-me architecture. The design defers to the site’s assets to frame particular views and experiences,” the architect explains, describing the structure’s meticulously plotted forms and siting. “We tried to exploit the connection to the outdoor spaces wherever possible. Ruchi had a clear idea of a jungle house in the city,” he continues, again citing Sanghvi’s sojourn in Bali as a major influence.

Josef Frank Rug Frank Nr. 7

Mottles Murals Ceramic Tiles Tea Herb Tiles

Nacho Carbonell Round Chandelier 2

The couple commissioned designer Richard Petit and his team at The Archers “specifically to soften the architecture and introduce elements with a handmade quality,” Sanghvi says. Petit obliged with a gloriously freewheeling, time-traveling decorative scheme that marries vintage classics, bold contemporary pieces, and subtle nods to the homeowners’ Indian heritage in textiles, colors, and artworks. The stars of the show are a series of phenomenal custom creations that give individual areas their unique sense of place: a massive Claudy Jongstra carpet of saffron-hued wool felt in the family room, hand-painted botanical tiles by Bruno Grizzo in the kitchen, a wall of avian-themed teak marquetry crafted by Greg Zall in the primary bedroom, and, most dazzling of all, a monumental light sculpture by Nacho Carbonell that crowns the dining area and breaks the ceiling plane as it balloons into the floor above. “The light reminds us of a tree, a beautiful organism growing inside our house,” Agarwal says of the spectacular fixture.

Doshi Levien Object of Devotion Lamp

Hoffmann Stool by Josef Hoffmann for Ton

Gatto Table Lamp with Cocoon Exterior

Crate & Barrel Honore Media Console by Athena Calderone

Petit describes the experience of working with his clients as something of a revelation. “Tech is a whole other world. Engineers are like aliens, but they are amazingly creative people. I was fascinated by their process of problem-solving and decision-making. It’s not all that different from the way we approach design,” he avers. “Ruchi and Aditya were super engaged. They pushed us really hard, but in the end we were able to create something that feels genuinely fresh and new.”

Sanghvi is quick to return the compliment: “Yes, we are strong, opinionated people, but when we decided to have kids, we decided to establish a common set of family values—things like intellectual curiosity and kindness. Richard is one of those designers who don’t apply the same rinse-and-repeat process to every house. He knew how to translate our values into this incredibly warm, inviting space,” she insists. For Agarwal, the project provided an object lesson in the power of home: “I really didn’t get it before, the ways in which a house affects you and your family in such a profound way. Your physical abode ends up being a critical part of your human experience.” And that, after all, is the magic of great design.

Next Post

Inside Viola Davis and Julius Tennon’s Nurturing Los Angeles Refuge

Cadiz, who grew up in Hollywood and worked for years as a set decorator before moving into residential design, clearly understood the assignment. “Viola and Julius have such vibrant personalities, but their house was very minimal—50 shades of gray,” the designer observes. “They asked for something not too fussy or […]

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